'I can't get over / how it all works in together' (James Schuyler, 'February')
Our day-long spring festival of poetry continues to take shape. We're delighted to say that Alice Notley, Charles Bernstein, Denise Riley, Robert Hampson, Karen Sandhu, Mark Ford, Agnieszka Studzinska, Peter Robinson, Betsy Porritt, Jeremy Over, and I (! briefly and nervously) will be reading. Geoff Ward will chair our roundtable discussion, which will feature a presentation from Yasmine on our forthcoming book of interviews with New York School poets, from Nick Selby on his forthcoming book on Robert Creeley, from Heleina Burton on 'open reading' and John Ashbery, Martyna Szot on Joe Brainard, Matt Sowerby on poetry organising and performance, Sonia Quintero on the Newham Poetry Group, and Caroline Harris and Briony Hughes on new publishing / editing ventures and publishing communities ... Dell Olsen and Will Montgomery will open the day with a joint talk. The event will be held at Senate House in Bloomsbury, on Saturday 27th May, and is being hosted in conjunction with Royal Holloway's Poetics Research Centre. Details of how to register and attend will be available soon.
We're thrilled to share a long poem written by Jason Smith, 'Exit 66 Street & Broadway'. The poem relates to events that took place in October 2001. The two poems that have particularly influenced its composition are Philip Larkin's The Whitsun Weddings and W.H. Auden's 'September 1st 1939'. Other poems of influence have been John Ashbery's poem 'Self-Portrait in a Convex Mirror', Elizabeth Bishop's 'Sandpiper', Anne Waldman's 'The Lie', Maggie Nelson's 'A Halo Over The Hospital (But your mouth gets so dry)' and Hart Crane's The Bridge.
Nick Sturm joined us for a conversation about the nature of critical storytelling, the energy of the interdisciplinary, the ways in which mimeos and little magazines reorient how we read and teach, the rogue spaces of literary fandom and the ephemera of research, collaboration as love and care, and the unprofessional, informal, and public-facing aspects of writing. You can watch the interview on our website or on our Youtube channel. Thank you Nick!
Jess Cotton's superb critical biography of John Ashbery is out in April and available for pre-order from Reaktion.
Granary Books is pleased to present a short list of books, chapbooks, and broadsides by Joanne Kyger.
Anne Waldman's Bard, Kinetic is out now with Coffee House Press. Anne also has a great article up on Lithub - 'Satyrs and Poets and Jazzmen and Muses: Anne Waldman on Life at Bennington in the Early 1960s'.
Alice Notley's Early Works and The Speak Angel Series are out with Fonograf later this month.
Peter Robinson's Retrieved Attachments is out with Two Rivers Press this month.
Matthew Rana has just published Ardour with Nion Editions (Berkeley). Ardour is a dialogue with Mirza Asadullah Khan Ghalib’s (c.1797–1869) Urdu Divan and the latest instalment of Matthew's serial poem ‘The Daud’, an inquiry into Urdu poetry and the ghazal, ongoing since 2003. Copies are available via Small Press Distribution.
Rosa Campbell, Jack Parlett and Joel Duncan edited a special issue of Women's Studies (Vol. 51, Issue 8), Eileen Myles Now, featuring poetry, scholarly essays, reviews, Myles in conversation with Maggie Nelson, and the return to print of Myles's 'The Lesbian Poet'. Contributors include CAConrad, Nick Sturm, Matthew Holman, Stephanie Anderson, Joel Duncan, Jane Goldman, Gina Gwenffrewi, and E. C. Mason.
Patricia Spears Jones has been interviewing other poets for Poets House Open House on WBAI.99.5 FM (all archived at Poets House), including Angela Jackson, Peter Covino, Cheryl Boyce-Taylor, Jordan E. Franklin and Jade Yeung, and Brenda Coultas. Patricia herself will be on Molly Twomey's Just to Say later - email email@example.com for the Shareable Zoom link.
Tibor de Nagy Gallery presents Trevor Winkfield: the Solitary Radish (January 28th-March 4th). Peter Gizzi has written a wonderful essay about Winkfield's 'drama of rhythm, of music, of the pleasure of composition', which you can read here.